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August 24, 2010

Ask Brady Riggs Live! Golf Magazine Top 100 Teacher will fix your faults

Posted at 10:46 AM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs stopped by on Tuesday at noon EST to answers your questions and analyzes your swing videos. Here's what he had to say.

Thanks to everyone for your questions and comments today. I want to give special thanks to KB and Popsie for their tireless work on my website and all things related to helping me, the helpless. Check out their work at www.bradyriggs.com. I hope to see everyone at the blog next week. 

Brendan asks at 1:40:

Here are some updated videos of my swing. Let me know what you think and what I could work on next.

Pictures are of a 7-iron, ball went about 160 and had a slight draw.

Thanks! Love the blog!

Brendan

It's all about the legs and hips Brendan. If you were on my lesson tee I would have a few good jokes for you about Shakira, Hula dancing, etc. I want you to look at the sequences of Anthony Kim on my site to see how the legs and hips can work my quietly. I will tell you that your arms and hands are off to a great start as you build this golf swing. It is the lower body that should be your focus. Send in some new videos as you make the changes.


lawrie asks at 1:30:

Brad, on my drives my lower half and head are moving off the ball. The result is ball goes right and also hooks left. Can you help me?

There are many great players that move their head and lower body away from the ball during the takeaway. There is always the possibility that you are doing this too much but my guess is that you are looking in the wrong place to fix your driving issues. Send me some videos so I can help you get on the right track.



Brett asks at 1:14:

the tip of my index finger is missing, i have trouble transitioning to the down swing due to the lack of my "trigger" finger . can i use something else to compensate for lack of?

heres my swing...

I'm not seeing that as a major issue on the video you have here Brett. In this swing your lack of control over the "tush-line" is much more of a factor than your hands. You need to check out the videos and numerous articles and blogs I have done discussing the "tush line" so you can get the info needed to fix this problem. The basic idea is that if we drew a line up from the ground touching the back of your tush at address your backside should keep in contact with the line from the address position to the top of the backswing back down to impact and into the release of the club. If you look at your swing you can clearly see you lose contact with the line early and have moved significantly closer to the ball at impact than you were when you started. This forces your upper body to become more vertical, jams your right elbow behind your hip, leans your upper body back away from the ball and target and forces your hands to take heroic measures to save the shot. The telephone pole holding up the fence right behind your tush is a great reference for you to see how much it has moved. Let me know how this goes...

Tim asks at 1:00:

I've noticed that it seems big hitters have a longer left thumb/club way down in the fingers (Dustin Johnson) - is there anything to this? Also, of the type of takaways you have on your redgoat website, which one most closely resembles Dustin Johnson's?

There isn't much to the long thumb issue Tim. There are both long and short hitters that use both the long and short thumb. It has more to do with the shape and length of your thumb and your comfort level than anything else. The takeaway Johnson most resembles would be that of Tiger and Adam Scott where the left arm rotates early and moves off of the body. I have to be honest with you and say there isn't much in Johnson's swing I would have any of my students copy. That isn't to say that his swing isn't effective and great for him. If he was on my lesson tee and had nearly won two majors I wouldn't change much, I'm not that stupid. However, there are many things he does that aren't usually recommended for the recreational or the aspiring player. I don't particularly like the super strong left hand grip, the bowed left wrist at the top, the shut clubface, the change of posture through impact or the lack of extension in his arms and torso during release and into the finish. But I can be picky....



Theo019 asks at 12:45:

My initial take away of the golf club is very forced and in the first few feet i tend to get off plane and tend to spray the ball, is there a drill to improve this so i can be on plane from start to finish? Thanks.

I answered a question and put up a couple of pics regarding this issue a few minutes ago that should really help you. There are a couple more things you could try that will help you gain some confidence and improve your technique. In addition to the stable left wrist positions I described in the other post, taking the weight of the club into your hands and off the ground in the address position can really make a huge difference. When you allow the club to sit on the ground before you move it away from the ball the "snatched" takeaway is inevitable. Lift the clubhead up off the ground so it is barely touching the tops of the blades of grass. This will give you control over the weight of the club instead of the ground, making the takeaway significantly smoother and easier to control. This may take some getting used to, but once you establish this as part of your routine it will be impossible for you to go back to the old technique because you will see the enormous benefits of not grounding the club. As far as keeping it on plane from start to finish are concerned that is a whole other matter. There are no secrets, just clubface, path and pivot as your guide. Good luck and send in some video if you get the chance.



Tony asks at 12:35:

your blog really is amazing, every week! Any suggestions on how to fix the svingpath (out-to-in right now)? I've been playing with an open clubface for many years but have that under control now, but my misses are pulls plus/minus a draw (or still sometimes, the old-swing fade). Conciously thinking of hitting the inside of the ball has helped but only helps for the moment. I don't have video of my current situation unfortunately.

Thanks for the kind words about the blog. I am glad to hear you have the clubface in a better place, that is the first order of business when it comes to improving your golf swing. The fact that you are now working on the path is proof that the instructor you are working with knows his stuff or you have been reading this blog:) In either case, the slightly out-in path is a very common problem on the lesson tee and quite easy to fix if you look in the right place. While you notice the path problem on the downswing make sure you are doing the little things at set-up and during the backswing that make swinging on the proper downswing path much easier. If the shoulders are open, the ball too far forward, or there is no tilt away from the target at address in makes achieving the proper path nearly impossible. When the ball is on the ground it should be placed under the logo on your left pec at address, regardless of the club. If you have the proper amount of tilt and the ball position correct you should be able to see a slight amount of upper left arm from the target line view. Here are a couple of pictures for you.

Dl3setup 

Make the changes in the set-up first and continue to try to strike the inside-back portion of the ball and I think you will fix this issue.



Big golfer asks at 12:25:

Thanks for the great advice every week. I recently saw some video of my swing and I snatch the club way to the inside on the backswing. Do you have a drill or feeling to help promote a better takeawy?

There are several things you can do to help you clean up your takeaway. If you look down at your hands in the address position you should see some bend in the back of your left wrist and an angle formed between the clubshaft and your left arm. If you can maintain both the bend in your left wrist and the vertical hinge (hitch-hiker) established in the set up until the club reaches parallel to the ground for the first time in the takeaway you will fix your problem. It sounds a bit technical I know, but the fact is all you need to do is keep what the angles you started with in your left wrist and the takeaway becomes very easy. If the left wrist flattens during the takeaway and/or you lose the hinge (the clubhead will come back too low to the ground)  than there is no way to avoid the snatched, inside takeaway. Here are a couple of pictures to help you visualize what to do. 

Clarkeaddress



Tom asks at 12:10:

1) what is the proper way to hit a lob shot? I usually open the clubface, re-grip, then open my stance but I very often blade the ball.

2) how do I chip from hardpan or extremely tight lies?

I love chipping and pitching questions. These are both situations most recreational players really struggle with Tom. The fact is that most people shouldn't be hitting a lob under any circumstances. The amount of risk associated with a miss when hitting this shot doesn't justify the attempt, especially when today's wedges make it much easier to hit a softer shot without a huge swing.

Before the grooves became so potent, the only way you could stop a ball quickly on a green was to utilize the trajectory of a lob shot. This forced all good players of my era to open the face, widen the stance, drop the hands and make a long risky swing to achieve the desired result. Despite the recent changes in the rules relative to the grooves, the wedges in today's game still make it significantly easier to hit a shot that stops quickly via the spin rather than the trajectory. If you insist on trying the shot keep in mind that the lie must be advantageous. If the lie is too tight you won't be able to slide the leading edge under the ball sufficiently to avoid a skulled shot and if the lie is too fluffy the lack of bounce on today's wedges can drive the entire club under the ball. If the lie is conducive to hitting this shot, make sure the weight is still slighty forward towards the target, as it should be on all chips and pitches, to insure the bottom of the swing occurs in the correct place.  

Chipping from a tight lie or hardpan can be a scary shot for players on all levels. There are a couple of adjustments to your address position that can make a huge difference. To help you hit this shot more consistently make sure you grip down slightly on the handle and make the shaft a bit more vertical than normal in the address. This will help you get the toe of the club on the ground more than the heel, a huge help in making more consistent contact. When combined with a slightly open clubface position this vertical shaft alignment allows the bounce of the club to used properly while eliminating the "stab" at impact caused by the heel hitting the ground. When the club is set up correctly, the fear of a "chili-dip" or chunk is removed and you will be able to attack the ball and the ground more aggressively. Make sure the shaft is leaning slightly forward in the address and your weight is a bit more on the front foot than the back. The last thing to focus on during your motion is to allow the clubface to rotate with the plane going back and through. Never hit a shot from a tight lie keeping the face "square" to the target during the stroke. This straight back and through, face square style has been taught by some in the past and it doesn't work.



Doug asks at 12:00

My question has two parts, but stems from the same problem. With nearly all my shots, I push the ball to the right. Occasionally, it has a little slice to it also, but usually I hit it straight, just straight right. I also do this with my wedges when I try to hit short pitch shots...they often just shoot almost directly right. What am I doing to cause these push shots with every club and how can I fix it? Thank you!

Thanks for the question Doug. Without actually seeing your swing there is no way for me to tell you exactly why this is happening but I can give you the usual suspects. The best place to start is with the clubface. If the ball is starting right and/or curving right the clubface may be open during the swing. This can start with a grip that is too weak, a left wrist that is excessively bent or a release that is faulty. If the face is square the set-up can also contribute to the rights. Your alignment can be right of the target or your ball position can be too far back in the stance. Mistakes with your golf swing are more complex. Try the simple stuff I suggested first and send me some video if you get a chance so I can give you more specific advice.



August 17, 2010

Ask Brady Riggs Live! Golf Magazine Top 100 Teacher will fix your faults

Posted at 11:18 AM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs answers your questions and analyzes your swing videos today at noon EST.

Thanks to everyone for your questions and comments. This was a great blog today. I am sorry I wasn't able to get to everyone. Jeff, Mark P, and Todd please ask your questions again next week. Have a great week, see you next Tuesday.

I want to congratulate Danielle Kang for winning the US Women's Amateur this weekend. I have been working with her for over a year now and couldn't be more proud. Great job Danielle! Here is her swing...

Kang

Evan asks at 1:18:

Thank you for doing the blog, it is very helpful. Could you take a look at my swing and give me some advice on what I can do improve it?

Thanks for posting your swing Evan. Like so many golfers it looks like you have found a way to make the ball go towards the target without having your fundamentals exactly where they should be. When you work on your golf swing you want to go in this order; clubface, swingpath, pivot. In your swing the clubface is very closed on the backswing. This is a combination of a slightly stronger grip and a takeaway that is excessively inside. The problem with this clubface is that you can't release it properly and have the ball go to the target. As a result, you hold off the clubface during and after impact, keeping it open to prevent what would be a big pull/draw. The second fundamental of swing path is also a bit off. Like I mentioned before, your takeaway is too far inside and the club points across the line at the top (to the right of the target). When you start the downswing the path shifts and because outside and above the plane coming into impact. The body seems to work fairly well throughout, despite the plane shifts and clubface compensations.

I want you to start with the grip and make it neutral. This will help clean up the face during the swing. The path issues are a bit more challenging but the basic idea is that the club should be in line with your hands when it is parallel to the ground going back and at the top. On the downswing, it should work down your right forearm as you approach impact. Here are a couple of pictures to help you see the changes.

Grip 

Topels

http://www.youtube.com/watch?v=A73vxRuXmec

Tim asks at 1:00:

i cant seem to get much lag into my downswing which leads to a loss of distance and compression (withirons). Can you take a look at my swings. any suggestions are appreciated!

8iron dtl- http://www.youtube.com/watch?v=mF0V4sqgIiY

driver dtl- http://www.youtube.com/watch?v=Oq2oKDG_Ozs

6 iron face on- http://www.youtube.com/watch?v=sz3sm_nqji8

There are many things to admire about this swing Tim. I don't see a huge issue with the amount of lag although I agree with the issue regarding compression. I have a couple of suggestions for you that may be unusual but hear me out. I think the left wrist is way to bowed during backswing, making the face closed as you move to the top. Your arms are also too close to your body with no width at the top of the swing. If you look at the sequence of Danielle at the top of the blog you will see that wider, more stable looking top that leads to more lag and certainly more compression at the bottom of the swing. I would also like to see your knees flare out and point in the direction of your toes at address. This seems like a minor issue but can really help you get your body participating better throughout the motion. The basic idea here is that I think you could improve your ballstriking by keeping the face a bit more square and maintaining some width on the backswing that will allow you to use your body more effectively coming through. Your swing is narrow at the top and slightly wider coming down, I would prefer to see it the other way around. Send in some new pics when you make some changes.

Read more: http://blogs.golf.com/top100/2010/08/ask-brady-live-august-17.html#ixzz0wyl2Yq2G

Tim asks at 12:44:

I'm inconsistent with my driver. I normally hit the ball pretty straight or with a slight draw, but have a tendency to hit pulls and pushes as my main misses. I'm posting a link to my driver swing from a few weeks ago and I noticed my club crossing the line at the top of the swing. It also seems that I am flipping at the bottom of the swing. Are those things leading to my inconsistency? Thanks, Tim.

The swing is good Tim. There are a few things that you can tinker with that will help you gain more control and consistency. I agree that the club is across at the top, but why is important. Here is what I would like to see. Your grip is quite strong and leads to a slightly closed clubface during your swing. If you made it a bit more neutral it would make it easier to release more aggressively without producing more hook. Your pivot is the next area of focus. In your current swing you pivot on your front foot going back. In other words, your head stays over your front foot during the backswing. While some teaching theories like this move, I think it stinks. I would like to see your hips and head move slightly to your right away from the target. This will not only allow you to move more aggressively towards the target on the downswing, but it will keep the takeaway more on line and help to eliminate the poor position of the club across the line at the top. The best indication of your front foot pivot move that you had was the fact that your head had to move back away from the target during impact. This always makes the hands more active during the strike, something you noticed and commented on originally. Send in some new video when you make the change and I will let you know what to do next.

http://www.youtube.com/watch?v=f3pLBNL54xQ


Rey asks at 12:34:

Hi Brady, Love your Blog! My question is how can I correct my swing fault where I come forward (tip forward) in the backswing and sometimes come forward in the downswing? Thanks.

Try to remember that the weight will always move where it wasn't in the swing. If you start with your weight in your heels it will inevitably move to the ball as you swing. Most players try to start more back in the heels to fix this issue, making it much worse. Try to start with your weight more towards the front of your shoes at address. This will encourage you to move the weight back into the right heel on the backswing, keeping you from falling over the ball during your swing.

Marc asks at 12:20:

What is your take on the whole bunkergate issue with Dustin Johnson?

Thanks for teeing me up on this Marc. I have a strange take on this as usual. My first instinct when watching this was that this was another consequence of playing a major on a Pete Dye design. However, I think he is probably the least culpable in this mess. The fact is that the PGA did anticipate problems with the 1200 plus bunkers and made every effort to inform the players, media, etc. of the situation so this wouldn't happen. Should they have played them all as a waste area? Maybe. That might have been a wise choice but either way the players were well informed of the rule.

Now for the take. Like a car accident there are always multiple mistakes that lead to the crash, speed, texting, etc. In this case you can place the blame on 3 specific people in ascending order. The PGA rules official that was walking with the group should have been on scene to remind Johnson of the local rule regarding the sand and make every attempt to protect the player and the field from a rules violation. Watney was in the fairway to hit his second shot so I have no idea why the official wasn't there doing his job. The next problem was with Johnson's caddie Bobby Brown. The player is wrapped up in the situation and thinking about how he is going to make par to win his first major. The caddie needs to be doing his job to protect the player and remind him of all things critical to the situation. Instead, he got wrapped up in the moment and lost his composure. I would even argue that it looked like Brown put the bag down in the sand before Johnson played the shot. This would have been another 2 shots and caused him to be Disqualified. The largest share of the blame goes with the driver of the car, Johnson. Like so many players arriving at the tournament he probably didn't take the time and care to review the rules sheet properly. Ultimately the buck stops with him and he didn't handle his business professionally. I can't imagine Nicklaus, Trevino, Faldo, etc. making that mistake. Hopefully, he will learn from it, be a better player, and move on.

Bill asks at 12:10:

I have recently changed my swing plane from way inside to more on plane, and have been working to keep as much distance at the top from my right ear as possible. As a result, I have gained some distance and a lot of accuracy. BUT - I am only bringing my hands back to about head high, and am looking for more distance. I am 28, flexible and in pretty decent shape, but my left pectoral muscle is not allowing me to bring the club up much more. How can I gain more distance with this new swing?

If you look at the sequence of Danielle above it will help you understand that the length of the swing is far less important when it comes to power than the speed of the swing. Making your change of direction from backswing to downswing more dynamic and explosive is a much better place for you to focus your attention than the height of your hands at the top. When Danielle is nearing the top of her backswing her lower body begins to work towards the target. This happens before the backswing has been completed and makes her what I like to call "double directional". The effect on the arms and clubshaft is obvious as she goes from wide at the top to tight and explosive immediately on the downswing. Her pictures coming down are reminiscent of power hitters from the great players in the past including Hogan, Wright, etc.

As she approaches impact her left leg posts up and provides her arms and clubs a destination to hit beyond. This is where the dynamic change in direction turns into clubhead speed. As a player, you should be working on making your swing more athletic and dynamic not just because it produces more clubhead speed, but more consistency as well.


August 10, 2010

Ask Brady Riggs Live! Golf Magazine's Top 100 Teacher will fix your faults

Posted at 9:41 AM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs answers your questions and analyze your swing videos.

Thanks to everyone for your questions and comments. Sorry I couldn't get to everyone but I am off to the lesson tee. Please get your questions in early next week so I have time to answer them.

Ryan asks at 1:00:

My question is about the short bunker shot that you have to get up in the air. I get the part about opening the clubface, but the rest of this shot perplexes me. I've tried long and slow swing where I can't seem to hit the ball short enough, or just take too much sand and leave it in the bunker. Then i try shorter backswing and accelerate through and i skull it, then overcorrect and leave it in the bunker. This shot drives me nuts (i'm sure many others). What is the best method for me stick with and practice to develop consistency?

There are two viable ways to change the distance of your sand shots. The first is to restrict the length of your backswing and/or follow through. Shorter swings will obviously go a shorter distance than longer swings. The second method is to forget about the length of your swing and focus on your speed. The faster the sand comes out of the bunker the farther the ball will go. In this philosophy a slower swing will make the ball go a shorter distance. This is a bit more athletic than changing the length of your swing and is my personal choice as a player. The simple fact is you have to have good mechanics regardless of the style you choose. Here are some checkpoints to follow that should help.

Continue reading "Ask Brady Riggs Live! Golf Magazine's Top 100 Teacher will fix your faults" »

August 03, 2010

Ask Brady Riggs Live! Golf Magazine Top 100 Teacher will fix your faults

Posted at 11:42 AM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs will be online today at noon to answer your questions and analyze your swing videos.

Leave your questions and video for Brady in the comments section below.

Thanks to everyone for your questions, comments, and videos. Wish I could get to everyone but I am off to the lesson tee. Get your post in early next week so I can be sure to get it answered.

Phil J asks at 1:00:

Simple one that is really common ... one drill or move to keep the club from getting too far inside at the beginning to mid-point of the backswing. If the backswing is initiated by the shoulders, will this alone keep the club outside the hands, parallel to the target line and through my hands at the mid-point of the backswing? My handicap is down to a 3, but I really believe this is holding me back. I have way to much hand action both on the way back and at impact.

There are a couple of keys here that will get the club from going too far inside in the takeaway. Understanding how the left wrist functions is the key to fixing this issue. If you don't have an excessive amount of forward press at address (which you shouldn't) then you should be able to see some bend in the wrist as you look down at your grip. The bend is step one. When you look at the angle between the clubshaft and your left arm from the target view, you can see this isn't a straight line. This is possible because of the vertical hinge in the left wrist. This hinge is step two. If you maintain the bend in the left wrist and the vertical hinge as you move the club away from the ball, you are almost home. The final piece is keeping the right arm above the left as you take the club back, this is more of a "feel" than it looks like in reality. Combine the three and the club will be in a great spot slightly outside your hands at the first parallel. Check out these pictures to help you out. 

Clarkeaddress 

Clarketake

Ed asks at 12:40:

Dear Brady,

I have a 2 handicap and a very consistent scoring game BUT I really need your help. My problem is when I address the ball, I never feel comfortable with my grip and keep reshuffling 4-5 times (much worse than Sergio) which causes my body to really tense up and I have to make a effort to loosen up through waggles. These 8-10 seconds can be very disturbing and stressful at times but I try to use this time to visualize my shot instead of letting it affect my game. Then, the negative thoughts of "what my partners are thinking" starts to creep in as well. I myself along with my friends are amazed that I am able to play while fighting this issue. Is this a Swing Lock, a grip problem, the stress of producing a good shot or a case of 'Y'.. oops. This problem started about 2 years ago when I had gotten down to a 1 handicap. Please help !! Thank you very much. Ed.

I have seen this happen to several really good players over the years. The reason you struggle to pull the trigger can be very complicated, but the fix is quite simple. From this point forward you are no longer allowed to ground the club in the set-up. When you allow the weight of the club to sit on the ground you are able to re-grip the club. Once the weight of the club is off the ground and you are responsible for holding it, you won't be able to re-grip it anymore. This will obviously be awkward in the beginning but it will absolutely work if you give it time. In fact, you may find that you don't ground any club in your bag when you are swinging full, including the wedges.

Paul asks at 12:32:

Brady,

I came across a video of yours that talks about creating space in the backswing by pivoting properly--moving the right hip toward the target. I had been struggling with "turning into the right leg." But your explanation made total sense and has really improved my ball-striking. The question is, on the downswing, should I be moving my left hip as far from the target as possible? It would seem to make sense: right hip toward target, left hip away from target. I think you should post that pivot video--it's a very important concept and easily ingrained.

I am glad you enjoyed the video. I have done several videos on the topic of hips during the swing, they will be up on my website when it launches in the next two weeks. In the interim the hips should move laterally toward the target on the downswing before they rotate to the finish. Here is a picture to help you see the differences between the location of the hips at the top of the swing and impact.

Dl3pivot

Peyton asks at 12:16:

I check out this section of golf.com weekly!!!! Great info you provide!! I posted a couple of videos a while back and you told me to fix my tush line. I have worked on that a lot and my ball-striking has improved greatly! My irons go straight or have a slight draw a majority of the time. However, my driver still starts out left and flairs out to the left. (I am a left-handed golfer). I will attach a couple of videos. Hopefully you can give me some guidance!!
Thanks for your help!!

The tush line has improved, but it still needs some more work. The club works too flat on the backswing and must steepen in the transition to find the plane. This will lead to some inconsistency and should be cleaned up in order to help you with the more pressing issue of your hips sliding too far toward the target on the downswing. This is the reason you are losing shots left with the driver. Widening your stance will begin to mellow out your hips during the swing and help you stay more behind the ball coming down. Staying more behind it will give the clubface a chance to square up through impact, something you are struggling with when losing it left. If you can improve the path of the club going up to a steeper angle, the shaft will have a better chance of naturally flattening to the plane coming down. The only way you can get the shaft lined up now is to slide your hips laterally to the target on the downswing. While you do a good job adjusting the path, it is very difficult to be consistent. Start with the stance wider, work on the shape of the backswing and stay with your tush-line work and you will continue to make progress.

Tim asks at 12:00:

Brady,
Last week I posted some interesting questions/observations on Anthony Kim's swing and you gave me some awesome answers! I do have one question for you, you mentioned that he has a different pivot then most and it is very similar to Camilo's. I was hoping you could go in further detail of this pivot and anything else that could help me adapt his swing motion. Again thank you for all your info!

Anthony and Camilo shares some similarities with their golf swings that are different than most Tour players. If you look at both swings from the face on view will see the hips move laterally away from the target during the takeaway. Most Tour players will either maintain their original location with the right hip or rotate it back away from the line it starts against. Here is a picture to help you see the difference.

Dl3cv

In addition to the hips moving laterally during the takeaway, Camilo's and Anthony's shoulders are rotating on a steeper angle than with most Tour players. When the hips turn more in the beginning of the swing, the shoulders rotate on a flatter angle. This makes the backswing "feel" more around where AK and Camilo have a pivot that "feels" more angled or cranked down. The amount of torque you will feel making the pivot that AK and Camillo have is significant when compared to a typical Tour player's pivot. AK and Camilo have very different swings coming down, but their moves away from the ball are very similar.


July 27, 2010

Ask Brady Riggs Live! Golf Magazine Top 100 Teacher will fix your faults

Posted at 9:49 AM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs stopped by on Tuesday to answer your questions and analyze your swing videos. Here's what he had to say.

Thanks to everyone for your questions and comments. I am sorry I couldn't get to everyone but I am off to the lesson tee. Special thanks to Sandy and everyone at Taylormade/Adidas for their great products and help! See everyone next week.

Ethan asks at 1:37:

Love the column. I like to know that every Tuesday I can become a little more knowledgeable and hopefully a little less horrible at golf.

My question is about conditioning. My wife has been bugging me to start lifting weights and doing other types of strength training. Apparently hitting a bucket at the range every couple days doesn't qualify as serious exercise in her book. Since I'm going to be working up a sweat I figured I might as well use this opportunity to get better at golf. Are there any exercises you'd suggest to increase overall golf fitness and/or power? Anything I should avoid as to not impede my naturally beautiful swing path?

Thanks for the feedback about the blog, I hope to help you be less horrible every week! Here is the deal about golf/fitness, etc. The simple fact of the matter is that there have been great golfers of all shapes and sizes as long as the game has been played. On the highest levels golf specific fitness training has moved from non-existent to the norm over the last 20 years or so. I have never been a big believer that specific fitness training is a requirement for the recreational player to play the game well. It is impossible to get someone to work on their body if they don't want to so I don't even bother pushing on anyone unless they ask. WITH THAT SAID....

I have gone on a personal journey of fitness this year that has been life-changing. I started the year at 220lbs and now check in under 180lbs. In the process I have become so much stronger in both the power and cardio departments that it amazes me (and everyone else that knows me). I was never FAT, just plump, and have stayed active in sports my entire life but felt that I needed to get healthier this year. One wonderful side effect of this is that my back pain which was chronic for over 20 years is gone, making it easier for me to enjoy the game. Here is the kicker, I don't hit the ball any better or farther than I did 40lbs. ago. So, while my results aren't any better my ability to play pain free is greatly improved and I will hopefully be able to play longer in my life.

Nate asks at 1:30:

Since I started playing golf I've had this move in my backswing where I roll my hands a little bit in the takeaway and the club shaft gets somewhat horizontal at about chest height. I get the club into a decent position at the top (shaft parallel to target line, but face is slightly closed) so I'm trying to understand what kind of detrimental effects this rolling of the hands has on my ballstriking. And how can I go about instilling the proper wrist hinge? My misses (push-fade) tend to pop up with the longer irons and driver especially.

The golf swing is more about where you have come from and where you are going than where you are. In other words, a static picture of a position at the top of the swing doesn't tell you enough of the story when it comes to how effective your swing will be. It is better to see the frames before the top and after the top as they let you know how the shape of your swing is going to determine the contact, power, and direction of the shot. The problem with rolling your hands early in the backswing is that it tends to open up the clubface. This can obviously produce shots that go the right of the target, something you have described as one of your misses. The other issue with rolling the hands that you accurately described is that the shaft gets horizontal or excessively "flat" going back. This is the momentum thing I mentioned earlier. What goes up on one side of neutral almost always comes down on the other side of neutral. So, if you go up flat you tend to come down steep. Steep usually causes pop-ups with the driver, another miss you have described. The fact that the club is in a "good" position at the top isn't as important as the clubface being open or the shaft attacking on too steep an angle. If you fix the takeaway, you may fix both downswing issues at once without working on them specifically. This is the secret to being a good teacher, fixing the problems in the downswing before they get there. Here is a picture of a good takeaway that you can copy.

AKback

dizquierdo21@yahoo.com asks at 1:15:

Great work with this blog. I seem to hit player's clubs really well. I have Mizuno MX-25 w/ KBS Tour Stiff shafts. However, everytime I hit a smaller cavity or even a muscleback like the MP 57, MP 60 or even MP 32, I really kill it, especially if they have Project X shafts. This really seems to help. I have an aggressive (almost violent move at the ball). Would you recommend switching the shafts, or just getting more of a player's club altogether? My game fluctuates anywhere between a solid 10 to a 15. My 6 iron ss is around 90-92 mph and I have done the Mizuno shaft optimizer and gotten two completely different recommendations.

Thanks for the feedback about the blog Tom. I think you have answered your own question. I don't care what a machine or even a clubfitter tells you when it comes to equipment. If you hit a certain club or shaft better than another that is the one you should be playing. I have been on the range at many tour events where players will have 3 or 4 drivers all exactly the same it terms of shaft, weight, loft, etc. and pick the one out they think feels the best to them. There is no better way to make a determination of which club to use than to hit them with a real ball off real grass on the range or even better on the course.

Angelo asks at 1:00:

I'm a right-handed player and I have trouble with my alignment on any shot that requires me to aim to the right. The longer the club, the more trouble with the shot I have. I follow my usual routine of lining up my shot from behind the ball, but when I set up over the ball for the shot I feel totally misaligned and my upper and lower bodies feel like they are working against each other. What can I do to fix this problem? Thank you.

My mom has the same issue Angelo. She is very liberal so I wonder if that has something to do with her aversion to the right side of things. Anyway, the key here is to change your routine so you don't feel like you are aiming to the right or left but straight regardless of the situation. When I played competitively I always picked a target 12-18 inches in front of my ball that was directly in-line with where I was aiming (not necessarily the target). I stole this from Nicklaus of course and it really helped me get the feeling that regardless of the circumstance or difficulty of the shot I just needed to execute my technique to be successful. Once I determined that spot in front of my ball I had the sense that you could cut out the piece of earth I was standing on and point me in any direction and it wouldn't matter because I had my intermediate target to guide me. Seems strange but it is very effective.

Greg Bryant asks at 12:50:

Brady, I'm a 6.1 hcp and looking for help. I'm working on my tush line and feel like I'm good to the top of my swing. When I try to start the downswing with a bump to the left side or try to reconnect my left hip to the tush line, my left shoulder turns before my hands drop and I come across the ball. Any suggestions on how to delay the left shoulder turn?

This is a typical problem for players on every level so don't be disheartened Greg. It sounds like your problem is with the WHEN of things and not necessarily the HOW. Here is what I mean. If the body begins the bump towards the target before the arms and club have finished the backswing there is no way for the shoulders to spin before the hands come down. When people struggle with the transition they often are waiting too long to bump. As a result the shoulders, arms and hands play an active role starting down and the swing goes south quickly. Keep in mind that the left hip doesn't need to reconnect with the "tush line" for a while coming down, it just can't move closer to the target line than it was at the top. In other words, the hips stay turned but move PARALLEL to the target line, not diagonally. This is a critical element of keeping the "Lane" clear as you will see in the pictures I posted of AK earlier in the blog.

If you get the opportunity to send it video of your swing I can help you pinpoint exactly where to go.

Brendan asks at 12:40:

Welcome back Brady! We missed you last week.

My question this week is for tips on how to hit the 3-wood off the tee. My problem is that I take out the 3-wood for accuracy on short par 4's and end up either topping it or hitting it fat.

Do you have any advice on how to consistently hit the 3-wood off the tee (i.e. tee height, ball position, etc.)?

Also, my set is currently composed of D, 3, 5, 3H, 5-PW, 50, 55, 60. I am a 12 handicap and carry 4 wedges to fix my distance gap. My concern now is that by taking out my 4-iron I have a gap of 20 yards (200-180) between by 3H and 5-iron. I am considering adding a 4H to my bag, but do now know what club to remove. The extra wedge? The 5-wood?

It's good to be back, although I miss Hawaii! Many people struggle with the 3-wood and hybrids from the fairway. When the miss is a top the problem is almost always standing too far from the ball. With your issue being from the tee and adding a fat shot to the mix my guess is that the distance from it isn't the issue, but it is a good place to start. If you are hitting the driver well and hitting the 3-wood consistently from the fairway then I would certainly go through the set-up and make sure you are clean there first. It should obviously be a bit easier from the tee but it's golf after all so go figure. If everything seems fine at address than focus on a solid routine and getting to a balanced finish on the golf course. This seems like generic advice but can really make the difference if you are struggling from a mental standpoint. If that doesn't work send me a video of the 3-wood so I can give you more specific advice.

When it comes to setting up the bag remember that it can change from course to course, day to day. If you are playing a shorter golf course that requires more wedges into greens than the current set up you are using is great. If the course has a couple par 3's that are in your distance gap than you should take out one of the wedges and add the 4h to fill that gap. If you do take out a wedge it should be the 60 as it doesn't leave a gap between clubs.

Tim asks at 12:12:

I like what you're doing on this blog. Awesome work! My question for you is regarding to Anthony Kim (again lol). Ive tried looking other places to learn more about his swing but you seem to be the only one with good pics and insight on his swing. Im hoping you can explain how he keeps his hips so stable on the backswing (other then tremendous flexibilty) and how he keeps them from coming into the ball on the downswing (keeping his tush line).It looks like he has a large lateral shift into his right side but i dont think its as much as it looks. Also i noticed that at address he has the clubshaft point more towards his navel where i have mine more towards my belt buckle. how does this help him and what exactly is he doing to get set up this way? Again thank you for your time.

You have made some very good observations about AK's technique. Let's start with the lateral motion during the swing. Anthony is very flexible in addition to being very strong. As a result he can create a tremendous amount of torque with a minimum amount of rotation with his hips during the backswing. This is a nearly impossible move for most recreational players to attempt to copy as they lack the the physicality necessary to be successful. There is a large amount of lateral motion going back and coming down in his swing. While his hips aren't rotating a great deal, his upper body is cranking it up and doing it on a much steeper angle than many on tour. This is similar to the pivot of Villegas and only meant for the most athletic players.

You have brought up a good point about the tush line. Despite the lack of movement rotationally on the backswing AK is able to maintain his lane coming down and not lose the line because he moves parallel to the target line with his hips and not diagonally TOWARDS the target line. This is a subtle difference but is critical to his success. The major deal with AK is that his golf swing isn't comprised of two parts, a backswing and downswing, but is a fluid motion without seams.

The last point about the clubshaft at address is also very observant. Because AK chokes down on every club in his bag his left wrists doesn't have the typical amount of vertical hinge in it that most players achieve. As a result his clubshaft sits more upright at address than is considered normal pointing above his navel and not at it.

I would encourage you to study AK's move but keep in mind that you should steal from everyone but copy nobody when it comes to the golf swing. I have included a couple of pics to help you visualize. 

Akaddress
Aklane
Akmove 

Akdrop



Evan asks at 12:04:

Love the blog!

I am a 1 handicap that has developed a swing with my instructor that has no hip bump in the transition/downswing.

For this to work (I have been hitting a ton of thin shots because I have really been spinning out lately) I have adopted a more reverse K setup which allows me to post onto my left side without having to bump.

My question is if you feel like this is a good way to play golf and if you could point out any pro's who have no/minimal hip bump in their swings.

Thanks for the feedback about the blog. I like it as well.

I have to be honest with you Evan and say that I can't stand that philosophy of swinging. I have seen it work on occasion with good players but it is terribly unnatural to not move your weight during an athletic motion like a golf swing. Look at any other sport that throws or hits at an object and you will see an obvious shift of the body in the direction of the target. Take a ball in the backyard and throw one while keeping all your weight on your front foot during the motion and one where you allow your weight to shift back and through to the target, the results are obvious. I would rather you work on pivoting properly than omitting the movement completely.

BTW, you spin out because instead of spending a couple of frames on the downswing going to the target with your "bump" you are already on the left side. Your body instinctively wants to do something so it spins.

Bill Pucci asks at 12:00:

I have severe back problems which inhibits my hips opening up and I end up having my arms take over the swing and as you can imagine big problems set in.Is there anything you could suggest to keep my arms from overtaking my swing.

It sounds like you are going to have to go with what you have Bill. My dad has some major difficulties with his lower back and can't swing the club the way he used to. We have modified his swing to be more arms and hands oriented so he can stay on the golf course and enjoy the game. If improving the condition of your back isn't a possibility, then you need to adopt a similar philosophy that allows you to play good golf while minimizing your level of discomfort. There have been countless great players with limited body rotation back and through that are successful because they use their arms and hands effectively.

July 13, 2010

Ask the Top 100 Live: Brady Riggs is here to fix your faults

Posted at 10:35 AM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs stopped by on Tuesday to answer your questions and analyze your swing videos.

Here's what he had to say... 

Robin asks at 4:34:

Thanks for the advice every week. I took your advice on ballooning my irons and upgraded from game-improvement clubs (PING G10) to more of a players club (Mizuno MP-57) with Project X shafts, and my ball flight has come down and I've gained about 5 yards on most of my iron shots. As I adjust to the new irons I've been struggling to hit full shots with my short irons and wedges. My shots end up short and right. I believe it is because I'm not fully pivoting and end up swinging with my arms, not my body. I've tried focusing on keeping my shirt sleeve tucked between my left arm and body the way Justin Rose has been doing lately for his putts, and it seems to help. Do you have any other tips for maintaining a good rhythm and connection, especially when hitting full wedges and short irons?

I'm glad to hear that the clubs have helped. On the full shots you need to make sure your right side is getting completely through to the finish. This will help you get the weight over the front foot and encourage the clubface to rotate properly through impact. On the golf course you are always better off making a good practice swing focused on a solid finish position before every shot. This seems obvious but it really important.

Karm asks at 4:13:

hanks for all the help via the blog. i cant seem to get rid of a dropkick i have with my driver and the occassional iron shot. it feels like i am getting stuck on the downswing. its getting embarassing and costing me numerous shots per round. any help would be very much appreciated.

The dropkick happens because your club is finding the bottom of the arc behind the ball. While this is obvious the "why" can be confusing. There are two main causes of this problem. The first is that the club is attacking on a path that is excessively from the inside, forcing the club into the ground before impact. This can often be the result of excessive right side bend on the downswing away from the target which makes attacking the club on the proper path impossible.

The other problem is less typical but can happen. A common mistake for players suffering from the dropkick is to put the ball too far back in the stance. When this happens any forward movement to the target (usually a good thing) becomes strange and the player actually moves away from the target and more in the back foot through impact. This forces the club into the ground early, the very problem the ball back was supposed to fix.

Start with the ball position and make sure it is in a neutral position. To fix the excessive right side bend through impact focus on finishing with the right shoulder closer to the target than the left foot. This will help you get through the ball better and improve the contact.

Bob asks at 4:00:

Brady.... Here is my son, he is almost 8. I am about a 5 handicap and he learns by watching me, I have not given him hardly any advice. I is hitting the ball pretty good. What advice, if any, should be given at this point?

http://www.youtube.com/watch?v=aYGgzdC9V5A

He seems to be swinging the club pretty good already. I would tell you only a couple of things. First, try to get a club in his hands that fits him a bit better. That club looks too long and heavy for him at this point. Second, make sure he hits balls with athletic shoes on, those flip flops aren't helping his balance and could lead to some habits you don't want. Finally, tell him he can swing hard as long as he can hold his finish position. That is a must as kids begin to learn the game. Here is a picture of a great finish he can copy.

Villegas

Read more: http://blogs.golf.com/top100/2010/07/ask-top-100-july-13.html#ixzz0tgs0VHRA

JP asks at 3:47:

Here is the latest and greatest. I think I need some more hip turn on the downswing. Do you agree and how could I achieve that?

http://www.youtube.com/watch?v=wBJFNKOQICE

JP, thanks for the video. I am not happy with where your tush and legs are relative to where they began. It still looks like the left heel isn't getting enough weight at the top of the swing and then the left thigh is out of it's lane coming down. I would like to see you maintain your tush line and leg positions rather than focus more on the hips. Here is a picture that might help you see the difference. 

Foxleft


Read more: http://blogs.golf.com/top100/2010/07/ask-top-100-july-13.html#ixzz0tgonjXTi

Ben asks at 3:35:

I'm having trouble putting some things together in my head so maybe you can help me out. PGA pro's all seem to hit these nice low, tight wedges that skip and stop. I'm amazed at how low they really hit them. They also don't take super sized divots which I would assume is because they come in shallow with the bounce working for them. Now, I would think that hitting it low involves getting the hands forward to deloft. But I find that doing that causes massive divots since the leading edge is now coming in sharper and find that chunking really comes into play. I've also tried closing the clubface but then it just goes left and further gets the leading edge coming in first. So how does one utilize the bounce which needs an open club face, but keeps the hands ahead and not shank, slice, sky a wedge shot. Do they have more bounce on the wedges? Whats going on there?

This is a great question that has been asked of me by many students over the years. You actually have it worked out fairly well to be honest. Yes, the club must attack on a MUCH SHALLOWER angle than you might think. The part you are struggling with is the clubface. It needs to be slightly open in the address position rotate back and through as it would in a normal shot. Most people make the mistake of trying to keep the clubface square to the ball during the motion with the club attacking straight down the target line. Instead, the clubface must be square to the plane which means it rotates away from the ball back and through and the club must attack from inside the target line. This allows the face to stay in contact with the ball a bit longer creating more spin and check when it hits the green. I try to get my really good players to feel as if the hands and club never get higher than the hips during this swing, instead traveling more around instead of up and down. One trick that really helps with the bounce of the club is to start with the shaft slightly upright and the face slightly open. This makes the heel of the club come off the ground further insuring you avoid sticking the leading edge into the turf. Here is a great picture of Jonathan Byrd hitting that shot. 

Byrd

Bill Johnson asks at 3:20:

How would you recommend playing a shot (right handed player) from a short iron distance with the ball above your feet, severe hazard left and with woods to the right.

Normally I would play out the right and allow for the draw, but since blocked out I am at a loss.

Is a long punch shot in order? Can you discuss the mechanics involved?

In most sidehill situations you would like to ride the slope as much as possible. However, as you have illustrated this isn't a possibility with the trees to the right. To fight the right to left slope and hit a "holding" shot against it you have to make a couple of adjustments. First, you need to put the ball back slightly in the stance to help guard against the tendency for the ball to go left. Remember that if you make a mistake right is still better than left is this specific situation so don't get crazy with any of the changes. Next the clubface must be dealt with during impact and into the release. The natural left created from the slope must be accounted for by "holding off" the clubface. To do this the left arm must stay higher than the right into what becomes a "punch" finish. This will be a shorter follow-through than normal with the left arm "feeling" like it is in a "chicken wing" position. While this seems strange, it is the only way to start the ball more on line without it moving to the left in the air.

As with any new "shot" you are going to play make sure you are successful with in on the practice range before putting it into action on the course.

Travis asks at 3:10:

My 8 year old niece is getting interested in golf. She has come to the driving range a few times now, and I was interested in any advice you might have on the best way to go about helping her learn the game while keeping her interested in golf.

Make sure she has fun is the first priority. There is some great equipment you can get her started with made by US Kids Golf. No need to buy an entire set, they sell clubs one at a time and make it easy to find the club for her height. The thing I did with my own kids at an early age was show them video of Annika Sorenstam hitting a ball, start to finish. I asked them to pay attention to her finish position and try to copy it in the house. On the range, I only encouraged them to set up correctly then try to get to Annika's finish. The results were amazing. I can tell you having a great model to copy without the interruption of an adult barking instructions is the single best way to teach a young person how to swing a golf club.

Start her out on the range and then close to the hole on the green so she can feel the joy of knocking it in the hole. When she progresses take her to the 3 par and then on to the big stuff once she has become proficient at each level. There is no need to rush, just keep on encouraging her and don't stay at the course for more than an hour. Any longer and it will go downhill quickly.

Chris Johnson asks at 3:00:

Hello Mr. Brady your tips are very helpful I hope you answer this one. My downswing is coming down from the outside and cutting across the ball.They say you should start the downsing by droppin the arms how do you get that feel. Could you please give some drills or tips to start the downsing more with the body and not pulling my shoulders.

Good question Chris. In about 90% of players that come across the ball the clubface is in an open position on the downswing. The motivation to start the ball left of the target is very high because the ball always curves to the right. For this reason make sure your grip is in a neutral position in address and your left wrist isn't excessively cupped or bent at the top of the backswing. This will get the face issue taken care of and allow you to proceed with the transition.

The start of the downswing is confusing to players on every level. The problem with the "over the top" move you are describing is that the left leg isn't taking and keeping enough of the weight as the downswing begins. From a technical standpoint, the quad muscle of the left leg should be "engaged" for several beats as the downswing begins. This prevents the shoulders from spinning open which forces the club outside. The leg has more weight in it after the downswing begins than it did before the backswing was finished, meaning that there is a shift of weight to the target without a spin of the body as you start down.

July 06, 2010

Ask the Top 100 Live: Brady Riggs is here to fix your faults

Posted at 2:41 PM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs will be online today at noon to answer your questions and analyze your swing videos.

Thanks to everyone for your comments and videos. Special thanks to Mark and Co. at JC Video for all their help with their fantastic software, it brings the blog to life. See everyone next week...

Tim asks at 1:12:

I just want to start off by saying thanks for all the great instructional advice. It's all very helpful. I have a question about Anthony Kim's backswing. I've tried very hard the past two years trying to emulate his motion. For one we have the same body type and build, and for two it looks so simple and low maintenance. What I'm hoping for is if you can explain how he gets the club so short and compact (clubshaft pointing to the left when short of parallel) without getting flat and across the line. I see he gets his hands fairly deep and behind him in his backswing, when I do this I'm super flat and usually across the line. I like feeling as though my arms and body are working very closely together rather then feeling like my hands are very high at the top of the backswing. I would love to have the same motion as he does and with your help maybe I can :) Thanks again for your time week after week. Here are a couple videos of my swing.

Thanks for the kind words about the blog. I think your motion is fairly sound, I like the sharp change of direction. The reason you are long and across when trying to get deeper is you lack the proper left forearm rotation needed to get the club pointing properly at the top. Here is a simple way to feel the correct amount. When standing straight up and down and not holding a club, hold your left arm out in front of you fully extended with your thumb pointing up. Rotate your entire arm from the shoulder down as a unit to get the thumb pointing to 3:00. This is a quarter turn of the arm and all that is needed to get the club in line at the top of the swing. You can repeat this motion with a club and then eventually bent over in your normal starting position. Some players never get enough rotation and as a result achieve a position at the top that is across the line. Some players have excessive rotation early and lose what they had to get the club across. If you want to shape your swing like AK, the proper amount of left-arm rotation should be slowly happening during the backswing and get to the quarter turn as your hands near shoulder height. Here is a couple of pictures to help...

Quarterturn

John asks at 12:54:

Can you give me some advice on getting on a better plane in the downswing?
Also, I don't hit the ball very far and am wondering where I'm losing power.

Please comment on anything that you don't like.

Thanks!

Thanks for the video, John. There are two specific things you can work on that would not only help you with your lines and angles during the swing but would greatly improve your distance. First, your clubface is closed at the top of the swing, restricting your ability to release properly during impact and into the finish. The grip appears to be fairly neutral so the problem lies in the excessively flat-to-bowed left wrist position and the overly flat arms swing. The second issue is your lack of weight shift during the backswing into the right side. You basically swing the club with your body in the same place going back and coming through. If you use throwing as an analogy, the weight moves back into your rear foot then forward into your front foot. Imagine throwing without moving your weight and you can see just how much potential power you are missing. Here are a couple of pictures to help you visualize.

Akmove

Brendan asks at 12:42:

Brady, I have a club championship tournament this weekend and thanks in large part to your tips on swing path my game is rounding into shape.

My most glaring concern is my sand wedge. Normally I hit my 55-degree wedge about 100 yards but sometimes it feels as if the face slides right under the ball and it only goes 70 yards. Nothing kills a great drive like a 70 yard sw.

Any ideas on what could cause this result or any tips on how to fix it?

Glad to hear you are getting better. Losing yardage with the wedge usually happens when the clubface stays too open during the release, making the ball slide up the face and greatly reducing the distance. The best thing you can do in the short term is to try to hit the wedges with a bit of a draw. This will help you get the toe of the club through during impact, making it easy to hit the ball a consistent distance.

Michael Paige asks at 12:30:

I have heard a lot of instructors talk about not getting laid off at the top of the backswing and how bad it is.

But when I was looking at this swing of CH3 on youtube, I noticed that at the start of the downswing he immediately lays off the club.

Why does he do this? Is this a fault or am I missing something here?

There is no fault here at all in this video of Charles Howell III. The clubshaft is naturally shallowing out as his body leads the downswing. This action to the club is seen in a large number of great players and is different than being laid off at the top. The critical alignment of the club in the transition is that it is pointing at or outside the target line when the hands are at shoulder height. Where the club is at the top isn't nearly as important as where it is in the transition. The problem with being laid off is that it can make the transition too steep and get the arms too far away from the body. Here are a couple of pictures to help illustrate the top and transition difference.

Howell 

Howell2

Mike asks at 12:20:

Brady... At what point should someone play x-stiff in a driver. I see many of the shorter Tour players use x-stiff. I normally hit drives around 270 - 290 and play a stiff shaft.

There are so many different combinations of weight, length, materials, loft, etc. that make a driver fit properly it is difficult to tell you exactly when and what to change to. I have several professionals I work with who hit the ball extremely far that still use a stiff shaft. If there is one club you should have fit by a professional fitter and constantly update, it is your driver.

Gary asks at 12:08:

Thanks for the great blog, I look forward to it every Tues.

Do you have any good drills/thoughts/methods to practice the correct way of starting the downswing?

I have been trying a drill where as you swing back you draw your left foot next to your right so at the top of the swing both feet are close together. Then you start your downswing by re-planting your left foot in its original position.

It seems to be helping my weight shift but I am not sure what my arms are supposed to be doing at the time I am planting my left foot in the downswing.

Was wondering if you had anything like it that you use with your students.

Thanks for the feedback about the blog. I use something similar to help people get the idea when it comes to the proper sequence to start the downswing. Take your normal address position and then slide your front foot next to your back foot. when the arms near the top of the swing step with the front foot to the target to lead the downswing. I like this particular method because it requires only one step during the swing. Remember that it is always easier to work on a specific part of the swing going slower than normal.

The arms should always come after your weight moves to the target. Think of it like stepping into a throw in baseball or hitting a pitch. When you move your weight is up to the individual. Some players like Tommy Armour III get the weight going when the arms have barely reached parallel to the ground. This keeps the backswing very short. Others like John Daly wait until the club is well past parallel to get the weight moving. In either case the sequence is the same, weight before arms and club.

Kevin asks at 12:00:

Brady..... I liked the picture you posted a few weeks back of the face on view of Els showing the release/arms crossing. That's a position I really lack and have started hitting everything much more solid from a 50-yard shot to a driver. That really isn't a position that's natural... it seems like you really have to put some effort into getting in that position, would you agree?

It is natural for some, unnatural for others. The thing I will tell you Kevin is that if the club is attacking on the proper swing path and the clubface isn't closed, the release becomes very natural out of necessity. Here is the picture you referenced one more time:

Elsrelease

July 05, 2010

New iPhone App Repairs Your Swing On The Spot

Posted at 11:44 AM by Jeff Ritter | Categories: Golf Tips, Practice, Web/Tech

P1-golf-fix_283x450 It doesn't matter if you're a scratch handicap or a weekend duffer -- no golfer is immune from losing his swing in the middle of a round.

Thankfully, now there's an app for that.

It's called "Golf Shot Fixes," and it's the brainchild of Golf Magazine Top 100 Teacher Mitchell Spearman. A former PGA Tour pro, Spearman has created an app that offers high-def video tips to correct virtually any type of swing malfunction. Problem areas addressed include slices, hooks, shanks and chunked chips. More than 60 video clips were filmed at Orlando's Isleworth Country Club.

"My app gives instant access to professional advice so you can figure out what you're doing wrong and fix your swing straightaway," Spearman said. "Your skills -- and round -- will improve immediately."

The app costs $4.99 and is now available in the iTunes Store.

For more information, visit golfshotfixes.com.

June 29, 2010

The Big Play: How to generate swing speed like Bubba Watson

Posted at 8:48 AM by Mark Wood | Categories: Big Play, Distance, Full Swing

Bubba Who: Bubba Watson

What: 396-yard drive to the fairway that set up a birdie which put him in the playoff

When: Final round of the Travelers Championship

Where: 444-yard par 4 18th hole at TPC River Highlands in Cromwell, Conn.

Bubba Watson’s earth-shattering drive might have gotten an assist from the cart path (the ball flew 335 yards, landed on a cart path and carried another 61 yards), but keep in mind it was a path that crossed the fairway. Watson didn't hit a wild one onto a path in the rough or the trees. The architects who built TPC River Highlands put the path across the middle of the fairway because they never anticipated anyone would have chance of reaching it. And Bubba reached the path on the fly!

How does Watson generate such massive swing speed and distance? The Tour’s longest driver (his average drive is 305.5 yards) has an extremely long swing that goes way past parallel. He also has a lot of wrist cock, a ton of shoulder turn and an incredible pair of hands which somehow square up the clubface at impact. The way Watson comes off balance after impact, you’d think he’d be more crooked, but he hits it fairly straight. That’s why he’s a freak show, like John Daly was in his prime.

How to Maximize Your Distance: I have students cultivate a big, fast swing away from the course. Nobody hits it far without a lot of swing speed. At home, you should swing for a few minutes and make the fastest swings possible while maintaining most of your balance. Swinging as fast as possible without a ball will train your body to swing fast and hard with a ball. Ideally, make the practice swings with a weighted club or put something on the clubhead to make it a bit heavier.

Golf Magazine Top 100 Teacher Mark Wood teaches at Fiddler’s Elbow Country Club in Far Hills, N.J.

(Photo by Sports Illustrated Photographer David Walberg)

Ask the Top 100 Live: Brady Riggs is Here to Help Your Game

Posted at 8:44 AM by Brady Riggs | Categories: Ask the Top 100 LIVE

Brady-riggs-78x73 Golf Magazine Top 100 Teacher Brady Riggs was online Tuesday to answer your questions and analyze your swing videos.

Welcome to the Tuesday Instruction Blog! Lets get this thing rolling....

mi817ke4u@yahoo.com asks at 1:15:
I've always had a cup wrist. Now I see people with flat wrists. Any drills for feel on that?
Thank You, Mike

There is nothing wrong with a slightly cupped left wrist at the top of the swing. There is no reason the left wrist must be flat at the top, regardless of what is said in print or on TV. Here are a few pictures of a slightly cupped left wrist. Here is a picture of Faldo and O'Hair that prove my point.

Cupped

Harry asks at 1:10:
I used to be a 3 handicap but had to give up golf for several years because of a back injury. My back is much better, but now I have developed a shank with any and all irons. If I place a board outside the ball I hit the ball dead center. Remove the board and I start to make contact towards the heel of the club and then finally shank. I've also found that if I focus 1/2" inside the ball I will make solid contact. If I look directly at the ball I start to shank again. Any ideas?

Glad to hear that your back is allowing you to play again. Without seeing the swing I can't give you specific advice but I can tell you to keep looking at the inside of the ball. I know this seems like a bit of a band-aid to you right now but it is fixing the problem. I had a professional come to me once with this same issue in the sand. He was literally shanking every shot until I told him to try to miss the ball off the toe of the club. When he approached it this way he was flawless. As soon as he went back to trying to hit the sweet spot he would shank it again. He stuck with trying to hit the ball off the toe for a few weeks and then it wasn't a problem for him going forward. I would stick with what works and send me some video so I can give you more specific advice.

Brendan asks at 12:55:
Now that I have lowered my scores to the mid 80s through better ball striking and putting, I have realized that I can gain a bunch of shots through better chipping around the green.

Do you have any technique or club selection for these around the green shots? Do you subscribe to a no-wrist hinge motion, hinge and hold a la Phil, or something completely different?

Thanks as always!

The most critical aspect to chipping in pitching is to be organized. The first element is you need to have a plan. This means you need to have an exact spot on the green you are going to land the ball with a specific height, spin and roll taken into consideration. I am old school when it comes to getting the ball on the green asap. I think young players use the lob wedge far too often. The second part of the equation is the execution. This is actually hitting the shot the way you intended. When you put the two parts together you will have a method of hitting short shots around the green. When you miss, you will know if your plan was faulty or your execution was off. When it comes to style of shot, you need them all. Start with the easy stuff first, the short shot with no wrist action that controls the ball and then move onto the Mickelson lob. You will have the basic shot far more than any other so work on that the most.

JP asks at 12:42:
Trying to rotate the club on the downswing better... What do you think?
http://www.youtube.com/watch?v=GgEdOmVq5DQ

The rotation looks better. The video is a bit tough to make out but I would like to see the shaft exit a bit higher out of your body so you can get around to a more complete finish position. I don't expect to see Annika or Tiger from you but I think you can get to where Clarke and Armour III are in this picture.

Finish

Jeremey asks at 12:30:
I am trying to model my pitching action on Steve Stricker's, keeping the wrists out of my swing as much as possible.

Do you have any face-on footage of Steve's short iron swing? Or any advice on how to model a swing like his?

The clips I have of Stricker are with a driver and long iron unfortunately. Keep in mind that Stricker is a big, strong player who doesn't need to create a great deal of wrist hinge to produce power. If you don't match this description then you should reconsider your choice. While I think taking elements of players swings to copy is a great idea, I am always weary of copying another player 100%. When you take out hinge you decrease clubhead speed and power but can increase control and consistency. If this is your goal here are a couple of things to keep in mind. When your left arm is parallel to the ground on the backswing the club should be perpendicular to the ground. This is 90 degrees of hinge and is enough for the rest of the swing. There is no need to increase the amount of hinge from this spot which makes the shoulders and back the driving force for the rest of the backswing.

Roger asks at 12:20:
I have a big problem in my backswing with rolling the arms/wrists in the start of the swing. The result is a bad takeaway going in to a flat backswing often resulting in a shank.

Do you have any good drills that can fix this problem? Both drills that work on the range and drills that I can do at home when practicing my takeaway.

I also wonder how far ahead of the clubhead (leading the clubhead) the hands should be on iron play at address?

This is a very typical problem I see on the range every day. The overactive hands and arms in the takeaway leads to a flat clubshaft angle going back that usually causes an over the top move coming down. The change in the takeaway is uncomfortable but can make all the difference. Instead of the shaft going from flat going back to steep going down, in makes the opposite loop and attacks on the proper path. Check out this sequence of Hal Sutton, a fantastic ballstriker in his day, to see the difference going back.

Suttontake


Travis asks at 12:04:
I've been having problems with inconsistent contact, and my playing partners have noticed my legs stop helping in the swing later in rounds. Obviously this is due to fatigue, but I'm wondering what the correct leg/lower body action is during a swing, I notice I hit the ball better and farther when my legs are involved and I'm wondering if getting my lower body more active could help me become more consistent and hit it farther.

There is no question that using your lower body effectively will improve your distance, consistency, and help you sustain your ballstriking through your entire round. Easier said than done of course. The fact is that your swing should be triggered from and controlled by your feet. The weight should be moving into the right foot to start the backswing and into the left foot to start the downswing. This is the trigger to your entire motion and should be reinforced on the golf course with each and every practice swing you make. Many golfers make the mistake of thinking that active legs are moving around significantly, this just isn't the case. If you think of a basketball player going up for a rebound you can visualize that side to side, sloppy leg action with the knees going laterally isn't very productive. Instead, the legs should act as pistons going up and down with a minimum of movement laterally while both feet stay on the ground for much of the swing. I have included a couple of pictures to help you get the idea. This is of a very young AK.

Aklegs

Justin Mateer asks at 12:00:
Have a question regarding backspin. On full shots with my short irons and wedges I've been getting far too much backspin. At times, spinning the ball back 20-25 feet. What is the cause of this and how can I reduce some of the spin?

Tom Kite said it best regarding backspin, he said he never wanted the ball coming back towards him. The reason backspin is an issue is you never can control how much it spins, making it very unpredictable and unreliable as you seem to have discovered. The first adjustment you make is with your golf ball. There are so many options out on the market now that offer different spin rates you should be able to find a ball that will help at least a little. When it comes to the technique you need to understand that the harder you hit a short iron the higher it will go and the more spin it will have. For these reasons it is much better for your consistency and control to hit the short irons less than full whenever possible. If you watch Tour players hit wedges and short irons you will see the ball fly at a very low trajectory because they aren't hitting them full, and want to control the first bounce the ball takes on the green. It seems like simple advice but change your ball and take more club so you can hit the ball easier and you will rid yourself of this issue.

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Top 100 Teachers Blog

Insight into the Tour and your game from America's top golf teachers

Edited by Michael Walker Jr.

There are more than 28,000 PGA of America members, and GOLF Magazine uses only the 100 most elite among them to help you lower your scores, improve your swing, hammer the ball longer and putt the lights out.
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